Mystery of Master R – Part 2: Searching the Likeness


0 glyph of inner contact in class


In December 2002, I attended a Qabbalah class on “Interior Contacts”.  It was hosted by the Lotus Foundation, the home of my dear friend Genie, whom I met for the first time on that day.

The class teacher told us:  “In Beriah are the Magidim of the Tree’s Upper Face, or Masters.  Every School of the Soul has a connection with these.  Schools have ‘ray’ functions.  Your membership depends on what your ray resonance is. ”

He for instance, tried very hard to become a Freemason.  When finally initiated through a friend, he was prevented every time from going to meetings at Lodge by two hour flu, train strikes or whatever.  He realised that freemasonry was a stepping stone from the past, but no longer required.  Guidance only registers when you take it on board, inside.

He told a story about Paul Foster Case and his Magid, the Count Ragoczy (Saint-Germain) of Transsylvania, who phoned and met him in a hotel in New York, and about how Case and his wife and a student took dictation once a week through an ouija board, word by word;  and the EXTRAORDINARY QUALITY OF THAT TRANSMISSION – and its way of dry teasing.   Our teacher read aloud a few passages to us.  Case only had to turn his mind to any one aspect of the teaching, and it would open up.  He was told to set up a new wisdom School, and to move from the East coast to California.

(NB – this story was told a second time in the other Kabbalah group, five months later when I asked for verification – see previous post.) 

Now of course I was very excited to hear about Le Comte;  and our teacher had even brought along an 18th century portrait of him in his white wig and piercing deep eyes.  He stood it on the mantelpiece, in Genie’s big room.


18thC portrait of Master R.  It is signed by "A.Knapp".  The reproduction carries this information:  "It is generally suppoosed that this mysterious adept was born in 1710, but the Countess v.Gergy declared she had seen him during that year in Venice, and  he appeared to be between 45 and 50 years old at that time.  While the church register at Eckenforde contains a record of his death in 1784, it is known that he was seen upon several occasions subsequent to that date, having attended a Masonic conference in 1785, and having been recognised in Venice in 1788.  The last historical mention of the Comte was in 1822, at which time he was presumably on the eve of embarking for India."

18thC portrait of Master R. It is signed by “A.Knapp”. The reproduction carries this information: “… … It is generally supposed that this mysterious adept was born in 1710, but the Countess v.Gergy declared she had seen him during that year in Venice, and he appeared to be between 45 and 50 years old at that time. While the church register at Eckenforde contains a record of his death in 1784, it is known that he was seen upon several occasions subsequent to that date, having attended a Masonic conference in 1785, and having been recognised in Venice in 1788. The last historical mention of the Comte was in 1822, at which time he was presumably on the eve of embarking for India.” ~~~~ I have this picture in my home.  The class teacher generously gave it to me, a few months later.


During a class tea-break, I took a couple of quick sketches from this portrait.  My ‘magyar’ connection has an energy here!   I heard of St-Germain before, but only vaguely.  I hadn’t known he is behind the Alchemy I am studying.   Suddenly he came to life, and I was literally trembling :

2 master R, sketch 1


3 master R, sketch 2


From my Journal – 8 December 2002:

“Ragoczy is a big fish, a Great Master Magid of a School, not of individuals, but I am inspired by him and his shoal of fishes.  As soon as I got home last night, I drew him into my sketchbook – from the drawings and from memory – as best I could:

master R, sketch 3


“The Book of Tokens is by him, and so are the lessons of the Great Work, I guess.  Our teacher read to us some paragraphs which he has.  It is about evolution and the Scorpio force.   Can I reconstruct an essence of it?

“The thing is not genetic.  That is to say, it is not by genetic evolution: (in the 1930s and 40s when these transmissions were being taken down, the topic of genetic selective breeding was all the rage, as also with the Nazis.)    The natural genes haven’t got the radical composition.  The Scorpio force is the being born again during life, to serve the Great Work.  It is the alchemy of the individual lead into gold.  The sexual nature is irreversibly altered and refined.  LOVE, AND YOU SHALL KNOW.  It said that Love isn’t of anything or anyone;  it IS.

“Now as Love is the One Source, the current of it comes through the Count, because at the level of his consciousness, there are no separate individuals.  He’s the same as Ramana or anyone else it comes through, to stress the point.  Yet he oversees particular rays or gardens of the teaching.  That face in his portrait is only an interface function, to recognise him by.  The truth overflows any container.  Our personality and its distortions and insecurities is unaltered by Self-realisation, and yet the realisation is at its root.

“Most of us see love in terms of returns and partners.”  (But if one has loved deeply, without return, then it is branded in!)   “‘Love and you shall know.’  ‘The can-opener of the intellect is too dull to probe the secrets of the Heart of Life.

“Let the excitory sense be peace … I think for me to plod on with the revelations in ‘The Great Work’ is quite enough to go on with.  Unfortunately I couldn’t retain most of what was read out today, because my sense of re-cognition kept getting in the way.


GALLERY of early portraits, studies and sketches of Le Comte and companions. 
Drawings in this post are december 2002 – May 2003


“When invoking, consider – “Who is saying the Name through you?” (God speaking to God.)  … The Grail in an early morning impression, overflowed, and its white effulgence expanded concentrically all around it, penetrating everything, everything to become it.   This was encouraging, and I jumped out of bed after lying in the fountain for a bit.

“Practice looking at things STRAIGHTLY, without any feeling about them at all.  The feeling-stuff is what reinforces and defines ME.

“REFLECTING – Diminishing the sense of I, for a more accurate impession, I become less;  God becomes more.  How to diminish the small-i?  Change the mode of feeling …  the feeling-triad on the Tree, Yesod, Hod, Netzach.   Open it out with the conscious Sun, Tifareth, and the root to earth, Malkuth.

“George Eliot, Daniel Deronda page 407 – “I am lord of this moment’s change, and will charge it with my soul … … To be in a state of suspense, which was also one of emotive activity and scruple, was a favourite attitude of his conscience … … the passionate patience of genius.”

19a emblem

“Look into the dark texture pool of the soul.  Only look.  Only one problem, the I-importantce, or as Alan Jacobs would say, the schopenhaurian Will.  Do not allow any opinions to finish or foreclose.  They are all coloured by the I-importance, and both illusory and limiting.

“Overheard at Shul – preparations for Graham’s wedding – the words Wisdom and Understanding.  As Kabbalists we try to act with wisdom and understanding.”


GALLERY, including some pages of Master R/St-Germain’s music
for violin and harpsichord continuo (see previous post).



“… She perceived in a box near the stage, a countenance which at once, and like magic, produced on her mind an effect never to be analyzed nor forgotten.  It was one that awakened an indistinct haunting reminiscence, as if she had seen it in those daydreams she had been so wont from infancy to indulge.  She could not withdraw her gaze from that face, and as she gazed, the awe and coldness that had before seized her, vanished, like a mist from before the sun. 

“In the dark splendour of the eyes that met her own, there was indeed so much of gentle encouragement, of benign and compassionate admiration;  so much that warmed, and animated, and nerved;  that anyone – actor or creator – who has ever observed the effect that a single earnest and kindly look, in the crowd that is to be addressed and won, will produce upon his mind, may readily account for the sudden and inspiriting influence which the eye and smile of the stranger exercised upon the debutante. 

“And while the yet she gazed, and the glow returned to her heart, the stranger half rose, as if to recall the audience to a sense of the courtesy due to one so fair and young … 

” … Yet again, as she turned from the stage, she looked back involuntarily, and the stranger’s calm and half melancholy smile sunk into her heart – to live there – to be recalled with confused memories, half of pleasure and half of pain.”

From ‘Zanoni’ — a Novel by Lord Lytton
— London 1874


Polish the mundane … carve and polish the precious stones of Life, through night and day:  the Stone of the wise.





Aquariel – an angel of the waters and of the air through the woods of life.

COPYRIGHT – All art and creative writing in this blog is copyright © Janeadamsart 2012-2013. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address

A Mystery of Master R – the Yeast and the Grape


Master R in London - JA 08

Master R in London – JA 08

This is Master R, as he might have appeared to me, in London’s Temple district in the 1750s, on a damp night.

The altar – bird – torch emblem which is worked into this portrait, meant a great deal to me.  It is in his Trinosofia – a journey of transformation.

“Altar, bird and torch are the symbol of all things.  Nothing can be done without them … You could have seized instantly – you would have become altar, bird and torch at one and the same time.  Now, in order to arrive at the most secret place of the Palace of sublime sciences, it will be necessary for you to pass through all by-ways.  Come … I must first present you to my brothers.”


trinosofia altar bird torch, 2

trinosofia altar bird torch, 2

trinosofia altar bird torch 1

trinosofia altar bird torch 1

trinosofia section 12 - "His companion wore no garment, but a sun radiated from her breast.  Her right hand held three globes;  a coronet of red flowers confined her beautiful hair. She sprang into the air, and seemed to lift with her the warrior who accompanied her." - Trinosofia of Saint-Germain

His companion wore no garment, but a sun radiated from her breast. Her right hand held three globes; a coronet of red flowers confined her beautiful hair. She sprang into the air, and seemed to lift with her the warrior who accompanied her.” – Trinosofia of Saint-Germain, section 12


When I think of the “The Most Holy Trinosofia of the Comte de St-Germain”, I have a composite image of an underground volcanic cavern with a Cross of colours in it, a deep sea breaking on a sandy beach, a screen of symbols which melts into initiation, an ascent, a many-pillared round temple where are found the Companions of the Light, a long desert trek, a cornucopia of alchemical beauty and strange tongues.

trinosofia cross & pillars..

The work is illustrated with copies of the Master’s own paintings, in black and white facsimile, leaving the life to my imagination.  I would like to re-draw them, in colour …

The bird is the Ibis, the altar is the Cube of space, and the torch, the Caduceus.

Altar, bird, torch - detail

Altar, bird, torch – detail

The bird – with green branch – is called “to be given the Life.”  The altar is coded “The Crown, Kether, when shall be the gate of entrance:  Immortality shall be conferred at the gate of the House of Wisdom.”  The name of the torch is Light, and reads:  “The dernier shall be hidden away and forgotten”.   The dernier was a coin, as in the Tarot suit of Pentacles.   The statement as a whole suggests “The body of the wise man shall be concealed.”


Master R’s physical remains are concealed:  his paintings – whose colours had a peculiar lustre, he is said to have ground pearl into his pigments – all disappeared.   The music he wrote is stored in the British Library.  I have xerox copies of it.  He played the violin in London, with elegance, verve and grace.

Violin Sonata 2 - keyboard part

Violin Sonata 2 – keyboard continuo part:  the violin is the top line.


In about 1918, Paul Foster Case received a phone call in New York:   “Meet me for coffee at —–Hotel.”   The voice sounded familiar.   It had spoken in his inner ear, ever since he was a small child.   At the rendez-vous, he met an elegant stranger who proceeded during the next fortnight, to lay before him the entire esoteric curriculum for – what was to become a School of the Soul – the Builders of the Adytum.

This was his Hierophant and lineage, Master R – also known as Comte de Saint Germain.   The writings on alchemy, number and the Hebrew hieroglyphic language are of superhuman intellect, beauty and dexterity, particularly in some unpublished texts.   It seems that whenever Paul Foster Case sat down to write, something in his mind-body opened to admit the Cosmic body.   He was a musician, a skilled organist.  He reached every Key, each pipe and every string.   The body of this Great Work had an immense urgency, to leaven the escalating crisis in humanity during the 1930s and 40s.  The Master drily remarked to him, “We come not to the charm of your personality, but to the focus of your mind.”


FR violin 03 copy


He also said …

Transcript:  The Harp of Ten Thousand Strings

“In Kether is the One, the Indivisible, but in Malkuth that same One appears as Four, and comes into manifestation as the Ten which return into the One.  But mark this:  the Four are truly but Two, even as in the body the two genders are always conjoined.  Even when the whole body has almost no trace of its complementary gender, yet is there in its composition always some trace of both.  So it is with the four elements also.  Truly there are but two, Fire and Water.  For Air is the mixture of Fire and Water with Fire predominant, and Earth is a like mixture with Water the stronger. 

“Thus to enter the Kingdom there must always be “two”, for the Wheel turns not, but by the alternation of opposite forces.  Yet the Kingdom of Adonai is not the kingdom of this world’s illusion, and the bodies of the servants of Adonai must be freed from the illusion, before they may serve as transparent channels for the Light which descends from Above. 

“The Law of Adonai is other than the laws of men, for into the laws of men has entered confusion.  This must needs be, since mankind remains a work unfinished.  Yet be on guard, if you seek to be numbered among the sons and daughters of the true Israel, lest you mistake the half formed concepts of an earlier stage of growth, for final truths. 

“The Great Work directs itself always toward the building of the Temple of Adonai, and at its early stages there are needs which do not continue throughout the building process.  Yet men mistake the scaffolding for the building itself! and thus pay idolatrous reverence to old rules which have no longer any useful purpose.  Watch therefore, if you would “rule the world” lest you usurp the rights of Adonai ! 

Note: The World, Key 21 on the centre root path, Malkuth Yesod (Kingdom and Foundation) in the left-hand picture.  This is the “GVPh” or word of embodiment (see paragraph on GVPh further down).  The whole Tree is the Temple.  To view as gallery with notes, click on image. For further notes on the Tree and Kabbalah, search Tree of Life in my primary blog,


Transcript continues:

“His and His alone is the Temple (of the living body) …  Not thine, but Mine is the work … for truly Kether (the Ineffable) is in Malkuth (the earth and physicality), and in Kether I dwell as One without a second …  Mine is your body, you who seek to find me – mine alone.  Mine is the power in all that comes into manifestation through the thought, the word or action of any of My instruments.  Never shall they who remain deluded by the illusion of separateness, become clear channels for the irresistible out-pouring of My power, until all follies of ‘mine’ and ‘thine’ are cleared out …

“Do you comprehend?  You aspire to the highest.  Take heed lest you surrender to the world’s illusion through seeing the Light through the coloured lenses of your personal prejudices and personal emotional needs.

“Refusal to act is like keeping shut the gate which releases a stream of water into a pipe leading to a turbine.  To be sure, no water is wasted so long as the gate stays shut, but neither is power generated.  Of what use are fine ideals about serving mankind, if one refuses to become a channel for broadcasting the power? 

“The whole world suffers in inexpressible agony, yet some who might do much to heal these festering wounds, remain aloof, wrapped in the garments of their own self righteousness.  Yet but for One whom all the world condemned, you would not be sitting here.  “Except your righteousness be greater than the righteousness of the scribes and pharisees,” said the Master, “you shall in no wise enter into the Kingdom.”  Think well on these things.



Speaking of the letters G,V,Ph (a Hebrew word for ‘the body’ – read the letters from right to left) … “What is this GVPh which has its seat in Malkuth?  Consider its three tokens (letters).  First comes letter Gimel which links Kether to Tifareth. This is the sign of the Uniting Intelligence;  from this you learn that the body conjoins a man to the Highest. 

“Second comes letter Vav.  This is the token of the Eternal Intelligence uniting  AB with BEN – the Father with the Son.”

Father, Son, Hermes - an illustration from the Book of Lambspring.  "The Son ever remains in the Father and the Father in the Son.  Thus in divers things they produce untold, precious fruit.  They perish never more, and laugh at death ... Upon one throne by the grace of God they sit, and the face of the Ancient Master is straightway seen between them.  He wears a crimson robe."

Father, Son, Hermes – an illustration from the Book of Lambspring. “The Son ever remains in the Father and the Father in the Son. Thus in divers things they produce untold, precious fruit. They perish never more, and laugh at death … Upon one throne by the grace of God they sit, and the face of the Ancient Master is straightway seen between them. He wears a crimson robe.”

(By this, he refers to Vav – which joins together – as it is the sixth letter of alephbeis, and the first syllable of TVPhRTh/Tifareth.)

“From this token, know that your body is the link between the true Self in Tifareth, and the universal Life and Wisdom of Hokhmah.   Now the third token – Ph -is the letter which signifies the mouth of man, and is also the Active Intelligence which unites Netzach with Hod. 

Three Tarot Keys, signifying (from right to left, as with Hebrew script) , Reflectivity, Inner Hearing and Speech.


Transcript continues:

“So this, your body, is the instrument whereon may be played the Song of Life.  Nay, it is more than this;  for on this harp of ten thousand strings, the wind of the Spirit moves ever, and sounds night and day, the harmonies of that Eternal Song. 

“Yet few there be, with ears to hear.  For that hearing is too often dulled by the noisy clamour of the world’s illusion.  Yet he who has eyes to see, and mind to remember, may see in the very word GVPh, that the heart of its meaning is to do with Hearing. (The Hebrew hieroglyph V is related to the sense of hearing.)

What else is the letter V but the heart of this word?  …  How few there are, who listen for the still, small music of the Eternal Song! … “


This transcript is from a direct communication to Paul and Harriet Foster Case and Anne Davies in 1947.  It is summarised in the Meditation on Malkuth in The Book of Tokens, which you can buy in bookshops, or from the Builders of the Adytum (   A correspondence course of Lessons covering Kabbalah, Tarot, Alchemy, Colour & Sound, and every factor of this teaching, is available from the Builders of the Adytum.

Kabbalah 1989 79 tree of life - Version 3


The Master appears an individual, but he is an inner plane consciousness and has no separate sense of “me”.   He is intimately transpersonal.   He moves as easily through neighbouring densities of manifestation, as from field to field with the clouds, and back and forth through apparent death or disappearance.    Wherever the third-eye focus is confected, here he stands.  He – traditionally a Magyar aristocrat – was behind the veil of the “strong Child” in the American Declaration of Independence.   He was a Freemason, a Rosicrucean and Alchemist;  he led the secret Schools in France and Germany;  he seemed to have unlimited wealth, and all the courts in 18th century Europe welcomed him.  He attempted by diplomacy to “defuse” the coming French Revolution, but had to flee to London.  He spoke of the real Revolution, which is evolutionary in the soul.  Isabel Oakley’s  carefully researched biography of him is called The Comte de Saint Germain – the Secret of Kings.

liszt in door

Franz Liszt, a few decades into the 19th century, wrote of Le Comte to the Grand Duke Carl Alexander of Eisenach:

“An extreme ease of manner with the most highly placed personages gained him the privilege of saying anything with impunity.  Kings’ fools had this privilege in days of yore, and I take pleasure in thinking that it is not their fault if it didn’t make the kings wiser.  While affecting a profound contempt for riches, Saint-Germain enjoyed displaying a prodigious quantity of precious stones and diamonds, and boasted that he had learnt the art of cutting diamonds well, on one of his first voyages to the Indies. 

“… Apart from his chemical knowledge and alchemical illuminism, Saint-Germain played the violin admirably – so well, that people thought they could hear an entire orchestra under his bow – and possessed in addition the talent of writing equally well with right and left hand, which I envy him doubly, for my handwriting being horrible and almost illegible, it greatly displeases me. 

“By means of his elixir of long life, he claimed he had already lived for 350 years.  The same liquor also had the property of turning a woman of 70 into a perfect resemblance of a girl of 17 – and further, made anyone quite simply immortal.  This idea was carried on moreover, without elixir, in Condorcet’s remarkable book ‘Des Progres de l’Esprit Humaine’. 

“Frederick the Great asked Voltaire for a few details about the Comte de Saint-Germain.  “He is a man who doesn’t die, and knows everything,” replied Voltaire.  He did die, however, in 1784 – or 1785 – as a close friend of the Prince of Hesse-Cassel.  This intimacy would explain in rather a singular manner why the present Elector of Hesse governs in the manner of 350 years ago;  a method which has succeeded extremely well for him thus far, as it has with others who haven’t even the merit of his obstinacy. 

But the pitcher goes so often to the well that in the end … it fills itself – says Figaro. Be so kind Monsignueur, to excuse my want of greater erudition …”

Your very grateful servant … 

 FL signature


Le Comte Saint-Germain is synonymous with “Master Rakoczy” of Hungary.  My pragmatic contact with Le Comte and his thought, is through studying Alchemy.   That is what makes it real.  In 2002, I was given a copy of some of the Master’s lessons on the Great Work of Alchemy, which illumined and earthed all that I had previously read.   I worked through them for about a year. Some months into the journey,  I consulted a psychic, who emailed to me:  “Master ‘R’ just peeked in through the etheric Levels to say that he is the overviewing Presence in your Soul’s Life.  Adieu.”

For verification, I asked Le Comte, could he please arrange to have himself mentioned in that day’s Kabbalah meeting.   Half-way through the discussion – whose theme that day happened to be the inner-plane Maggidim or teachers – another student raised his hand and narrated – out of the blue – the story of Paul Foster Case’s encounter in New York with Master R.

In the Toledo Kabbalah-society tradition, Master R was lucky if he got a mention once in a year or two.  Later on, I discussed this with Halevi, on the understanding that our guides and preceptors ring the changes, as life brings fresh challenges.   Halevi said “he’ll be your Head of Department then.  The general ‘staff’ assigned to individuals and situations, they come and go, under him.”

The question arose, because Master R is not a shepherd of individuals, but of civilization.  Why would he connect to me?   The answer is transpersonal – it is the level of love – the level of awareness on Jacobs’ Ladder.   My concentration on alchemy and the transcripts, was a lens through which he looked and I could see.   I learned an essential thing.  Contact with a Master – a Maggid – is a two way process:  the chosen dialogue, kept in focus, and always fresh.

He is not my “teacher” in the personal sense.  But when I really put my mind to it, over a period of time, I can “tune up” to his wavelength, which covers many domains.  My ear is to the ground in a special way.  Language flows, and I learn about the way things work.  He doesn’t “advise” me, and when he guides, it is in a minimal, unobtrusive way which rhymes unmistakably with my inner world, yet comes from beyond.

During that period, I learned through drawing their portraits, the nature of the inner plane Maggidim, and of transmission;   I clarified for ever, a distinction between mediumship and mediating.   The former is a monologue, the latter is a conversation.


60 diagrams tower & tattvas copy

One of my deep treasures received, is AKASHA TEJAS.   The Akasha Tattva, linked to Saturn and the root chakra, is an indigo oval.   The Tejas Tattva, linked to Mars and the navel chakra, is a scarlet triangle.   Combined, they are an esoteric Key to the interior Gold – the heart centre chakra.   Astrology aspects during the spring of 2003, illumined this combination, as a teaching.

Years later, this feature became embodied in, and sustains, my close friendship with an Aries  –  jewel of Saturn and Mars rulership:  Capricorn with Aries.  It all takes time.

7 chariot - Version 2

bota key 7 The Chariot


In conventional astrology, Saturn and Mars are malefics – they resist each other.  The Mars tempo is quick:  Saturn moves in wider cycles.  It is like trying to do a gear-change.  But in Kabbalah, on the Tree, the struggle was co-operative.  Saturn and Mars form the left-pillar Binah-Gevurah path of Influence, whose Tarot Key is 7, The Chariot.   Scratch below the surface of any enduring pair of lovers or conscious siblings;  there is probably a jewel of this kind.

The Akasha Tejas Tattva is a jewel the Master took out of his pocket and polished for me.    In the abundance of life’s pearls, I mostly forget to visualise, or to polish this one so it shines.   “Polish the mundane.”

This suggests:  let it not be routine, but let it recreate the affection.

akasha tejas



Here are a few teachings in my inner ear, as they came it seems, from the Master:

27 May 2003

“Do the rose cross or whatever else, when love comes.  With love.  That is the breakthrough from mercury into venus on the path of mars.

“Yes, very slowly and with love, hearing the music note deep within, and smelling the rose with the sea breathing.  Simple, and one thing at a time.  The meaning and flowering of the Rose Cross Ritual, and of all ritual gesture, is when ‘you’ are not doing it.  Then as you find, that fascination or pondering, kindles the golden circles.  Magic is made not with what is known, but with what you can’t quite grasp, and you wonder at.  This draws your mercury up the rod into the place of meeting.  So the Rose Cross SHIN and the golden encirclings have power, like a left-hand drawing.  We said:   no one is skilled, who begins magic.”



1 November 2003

Early this morning in bed, I asked “what is the Third Eye?”  and this reply came:

“The third eye is the I of the Subtle body encircling Earth as it opens.”

A sort of violet blue clarity was in this picture as I wrote down the fading message.  Where is my third eye?  Answer as above.  The subtle-body, like the etheric sheath, is a standwave, rather than a timespace process.  It registers relative “eternals”.   It is the blueprint to which all the variety bears passing form.  Earth’s etheric field is the lunar orbit.  This itself – moon’s silver circling around turquoise earthpupil – looks like a eye.

How do I find and use my third eye?  Ah!  it is in Perseus myths.  The three grey sisters passed the one eye among them;  and yet they could not see, because they argued.  It is somehow clear that it exists, since Serapis kissed it there, in a way more reliable than before.  Practise using it.

My crowded, operatic mind, fond of its noughts and crosses and sores, puts up a great resistance to “re-membering” and “practising”.  But if I say “this third eye is Open” indeed it is;  and if it encircles planet Earth, its capacity has the collective “I”.

Where to focus it?  (Put your attention on the invisible, beloved!)  inward, within the brow, where the Stone of gold-producing Light is confected, where the pineal pine cone, opens woody petals spiral wise.  Only see these simple things, and my Third Eye is seeing.

You know you can’t see the eye, or I, you see through!  The same it is with the Third.  It is not a mark, or an organ.  It is a Way.  It encircles the earth transpersonally, like the bright veil she draws around her lands and seas.  The arising of the Love current is Her opening, likewise.  It flows up through the spine and opens the brow.  I am a pyramid with the eye in its apex,  the symbol of freemasonry.  The pyramid is a little lens, gathering to it all the matter of earth, and shining back:  Eye-dentity.

Your attention on the invisible is displaced from the visible obstruction or belief;  from “my-story”. Your attention on the Great Mystery is not upon “my-story”.

That is what is meant by “the IN-visible”;  and by silence.



27 June 2003

Oh yes:  here’s yesterday’s Big Thought, which I jotted in my notebook:   The violet mantled King in Basil Valentine’s story, meant:

“If I have ears to hear,
Hear Thee
like the Stars brought close to the eyes
oak Tree.”

In other words, the teachings of the Magid, although as far beyond the spacetime context of my person as the stars in the night sky, are brought inward as the stars to shine in my own eyes and being.



scales 2

And here is Master R’s published sonnet:

Curieux scrutateur de la Nature entiere,
j’ai connu du grand tout le principe et la fin.
J’ai vu l’or en puissance au fond de sa riviere,
j’ai saisi sa matiere et surpris son levain.

J’expliquai par quelle art l’ame aux flancs d’une mere
fait sa maison, l’emporte, et comment un pepin
mis contre un grain de ble, sous l’humide poussiere;
l’un plante et l’autre cep, sont le pain et le vin.

Rien n’etait, Dieu voulant, rien devint quelque chose,
j’en doutais, je cherchai sur quoi l’Univers pose.
Rien gardait l’equilibre et servait de soutien.

Enfin avec le poids de l’eloge et du blame,
je pesai l’eternel;  il appela mon ame:
je mourrai, j’adorai, je ne savais plus rien.


The jewel is here:   the gold in the flowing river:  the soul at the  mother’s flank;  the yeast, the grain and the grape;  the bread and wine.

I would appreciate an English translation of this poem, from a French-speaking reader – any offers?  Very broadly my understanding of it goes:

 ”Examining nature, I learned her fundamental principle.  I saw in her river’s flowing depth the gold, and seized its potency.  I understood how the soul in the mother’s womb rises like yeast, and carries the lodging onward (through the generations);  and how a tiny grape seed and a grain of wheat when placed together in moist earth – the one a plant, the other a pip – ferment to bread and wine.  

“Without God’s will and wisdom, nothing grows.  I searched in vain:  I found no ‘thing’ to equilibrate or uphold the Universe. 

Sacred India Tarot - VARUNA - Version 2


“Finally, in the balance of applause and censure, I weighed Eternity:  it called my Spirit.  I died to the world. I adore.  I knew nothing more.”


Fra music 5


With embryo in womb,
yeast and grain in the vine,
the Eternal alone calls the Soul;
the world knows nothing.

(The door is TAV, and in it flowers the Rose.  Saturn is the root and door by which we give birth, parturition of the seed itself, all in one.  As the Soul makes house “aux flancs d’une mere”, so in damp dark soil does pip to a grain grow bread in the vineyard.  Saturn is the root, and Venus in the throat chakra is its calyx or flowering point.)


Oakley book cover image of le Comte - from a contemporary engraving

Oakley book cover image of le Comte – from a contemporary engraving


In the ten years or so since these writings, a lot of water flowed under the bridge !  I had so much to learn, to practice and to clarify in life.  There were difficult tests yet to come, with deep issues to heal and let go.   It took me far away from the initial contact with the Master.

Life is “initiation” – a curve of the years.  The landscape was challenging, and I got distracted and made mistakes.  It is all valuable.   My objective in these two or three posts about Master R, is to take up some slack, and by doing so, re-invite his presence and teaching in my work:  a discovery.

Master R/Saint-Germain means different things to different societies and souls, according to projection.  In Part 2, I shall tell how my particular contact came about.







Aquariel – an angel of the waters and of the air through the woods of life.

COPYRIGHT – All art and creative writing in this blog is copyright © Janeadamsart 2012-2013. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address