In December 2002, I attended a Qabbalah class on “Interior Contacts”. It was hosted by the Lotus Foundation, the home of my dear friend Genie, whom I met for the first time on that day.
The class teacher told us: “In Beriah are the Magidim of the Tree’s Upper Face, or Masters. Every School of the Soul has a connection with these. Schools have ‘ray’ functions. Your membership depends on what your ray resonance is. ”
He for instance, tried very hard to become a Freemason. When finally initiated through a friend, he was prevented every time from going to meetings at Lodge by two hour flu, train strikes or whatever. He realised that freemasonry was a stepping stone from the past, but no longer required. Guidance only registers when you take it on board, inside.
He told a story about Paul Foster Case and his Magid, the Count Ragoczy (Saint-Germain) of Transsylvania, who phoned and met him in a hotel in New York, and about how Case and his wife and a student took dictation once a week through an ouija board, word by word; and the EXTRAORDINARY QUALITY OF THAT TRANSMISSION – and its way of dry teasing. Our teacher read aloud a few passages to us. Case only had to turn his mind to any one aspect of the teaching, and it would open up. He was told to set up a new wisdom School, and to move from the East coast to California.
(NB – this story was told a second time in the other Kabbalah group, five months later when I asked for verification – see previous post.)
Now of course I was very excited to hear about Le Comte; and our teacher had even brought along an 18th century portrait of him in his white wig and piercing deep eyes. He stood it on the mantelpiece, in Genie’s big room.
During a class tea-break, I took a couple of quick sketches from this portrait. My ‘magyar’ connection has an energy here! I heard of St-Germain before, but only vaguely. I hadn’t known he is behind the Alchemy I am studying. Suddenly he came to life, and I was literally trembling :
From my Journal – 8 December 2002:
“Ragoczy is a big fish, a Great Master Magid of a School, not of individuals, but I am inspired by him and his shoal of fishes. As soon as I got home last night, I drew him into my sketchbook – from the drawings and from memory – as best I could:
“The Book of Tokens is by him, and so are the lessons of the Great Work, I guess. Our teacher read to us some paragraphs which he has. It is about evolution and the Scorpio force. Can I reconstruct an essence of it?
“The thing is not genetic. That is to say, it is not by genetic evolution: (in the 1930s and 40s when these transmissions were being taken down, the topic of genetic selective breeding was all the rage, as also with the Nazis.) The natural genes haven’t got the radical composition. The Scorpio force is the being born again during life, to serve the Great Work. It is the alchemy of the individual lead into gold. The sexual nature is irreversibly altered and refined. LOVE, AND YOU SHALL KNOW. It said that Love isn’t of anything or anyone; it IS.
“Now as Love is the One Source, the current of it comes through the Count, because at the level of his consciousness, there are no separate individuals. He’s the same as Ramana or anyone else it comes through, to stress the point. Yet he oversees particular rays or gardens of the teaching. That face in his portrait is only an interface function, to recognise him by. The truth overflows any container. Our personality and its distortions and insecurities is unaltered by Self-realisation, and yet the realisation is at its root.
“Most of us see love in terms of returns and partners.” (But if one has loved deeply, without return, then it is branded in!) “‘Love and you shall know.’ ‘The can-opener of the intellect is too dull to probe the secrets of the Heart of Life.‘
“Let the excitory sense be peace … I think for me to plod on with the revelations in ‘The Great Work’ is quite enough to go on with. Unfortunately I couldn’t retain most of what was read out today, because my sense of re-cognition kept getting in the way.
GALLERY of early portraits, studies and sketches of Le Comte and companions.
Drawings in this post are december 2002 – May 2003
“When invoking, consider – “Who is saying the Name through you?” (God speaking to God.) … The Grail in an early morning impression, overflowed, and its white effulgence expanded concentrically all around it, penetrating everything, everything to become it. This was encouraging, and I jumped out of bed after lying in the fountain for a bit.
“Practice looking at things STRAIGHTLY, without any feeling about them at all. The feeling-stuff is what reinforces and defines ME.
“REFLECTING – Diminishing the sense of I, for a more accurate impession, I become less; God becomes more. How to diminish the small-i? Change the mode of feeling … the feeling-triad on the Tree, Yesod, Hod, Netzach. Open it out with the conscious Sun, Tifareth, and the root to earth, Malkuth.
“George Eliot, Daniel Deronda page 407 – “I am lord of this moment’s change, and will charge it with my soul … … To be in a state of suspense, which was also one of emotive activity and scruple, was a favourite attitude of his conscience … … the passionate patience of genius.”
“Look into the dark texture pool of the soul. Only look. Only one problem, the I-importantce, or as Alan Jacobs would say, the schopenhaurian Will. Do not allow any opinions to finish or foreclose. They are all coloured by the I-importance, and both illusory and limiting.
“Overheard at Shul – preparations for Graham’s wedding – the words Wisdom and Understanding. As Kabbalists we try to act with wisdom and understanding.”
GALLERY, including some pages of Master R/St-Germain’s music
for violin and harpsichord continuo (see previous post).
CLICK ON ANY IMAGE, TO VIEW
“… She perceived in a box near the stage, a countenance which at once, and like magic, produced on her mind an effect never to be analyzed nor forgotten. It was one that awakened an indistinct haunting reminiscence, as if she had seen it in those daydreams she had been so wont from infancy to indulge. She could not withdraw her gaze from that face, and as she gazed, the awe and coldness that had before seized her, vanished, like a mist from before the sun.
“In the dark splendour of the eyes that met her own, there was indeed so much of gentle encouragement, of benign and compassionate admiration; so much that warmed, and animated, and nerved; that anyone – actor or creator – who has ever observed the effect that a single earnest and kindly look, in the crowd that is to be addressed and won, will produce upon his mind, may readily account for the sudden and inspiriting influence which the eye and smile of the stranger exercised upon the debutante.
“And while the yet she gazed, and the glow returned to her heart, the stranger half rose, as if to recall the audience to a sense of the courtesy due to one so fair and young …
” … Yet again, as she turned from the stage, she looked back involuntarily, and the stranger’s calm and half melancholy smile sunk into her heart – to live there – to be recalled with confused memories, half of pleasure and half of pain.”
From ‘Zanoni’ — a Novel by Lord Lytton
— London 1874
Polish the mundane … carve and polish the precious stones of Life, through night and day: the Stone of the wise.
Aquariel – an angel of the waters and of the air through the woods of life.
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